Characters/Pairing/Other Subject: Peter Quill, Yondu Udonta
Content Notes/Warnings: none
Artist on DW/LJ: n/a
Artist Website/Gallery: Skidar on Tumblr (artist's tagging is somewhat haphazard, but most of their other fanart can be found under the skidar-art tag)
Why this piece is awesome: Since the new movie came out, there's been a ton of excellent art about kid!Peter and Yondu, so it was hard to pick one to start with! I went with this one because it's very cute and lively with wonderful details, and I could totally see them getting into a situation like this.
Link: Don’t let the baby Terran wander unsupervised
Characters/Pairing/Other Subject: Margot Verger/Alana Bloom
Content Notes/Warnings: None
Medium: Digital drawing
Artist on DW/LJ: NA
Artist Website/Gallery: Tumblr
Why this piece is awesome: I love Marlana. I like the head and heart, and the idea they see those qualities in each other.
Link: I Heard Your Heart Beating
I know exactly why I walk and talk like a machine (24327 words) by terminally_underwhelmed
Fandom: Harry Potter - J. K. Rowling
Rating: Teen And Up Audiences
Warnings: Graphic Depictions Of Violence
Relationships: Minor or Background Relationship(s), Pre-Harry/Draco - Relationship
Characaters: Draco Malfoy, Lucius Malfoy, Narcissa Black Malfoy, Harry Potter, Ron Weasley, Hermione Granger, Blaise Zabini, Luna Lovegood, Arthur Weasley, Astoria Greengrass, more like ace-storia amirite, various OCs, Minor Characters
Additional Tags: Epilogue What Epilogue, War Aftermath, Emotional Growth, Bureaucracy, Pre-Slash, Friendship, headcanon dump
Series: Part 1 of Solitaire/Mercenary
They're together when the Dark Lord falls.
Draco is barely aware of his own senses, half-blind and exhausted from months upon months of corrosive fear, and whatever shred of reality is still allotted to him is in his father’s urgent grip on his shoulder and his mother’s hands around his and the way he leans on both of them.
That's exactly how slow going it was.
To my disappointment, not everything William Carlos Williams wrote is as accessible as "The Red Wheelbarrow" and "This is Just to Say," two of his most famous poems. Instead, there's a mix of transparent and opaque.
And then there's Paterson, which he's also known for, a five-volume epic poem that here is presented in extracts, taking up about forty pages instead of its usual three hundred, and seems to be about a grasshopper, a park, geography, some text from a medical journal, a personal letter, and a history lesson. I don't know if it would have made more sense if I had read it in its entirety, but I'm not interested in finding out.
Williams liked to experiment with white space and sentence fragments—he's a contemporary of e e cummings and T. S. Eliot—but his white space lacks the energy and enthusiasm of cummings, or, later, of Lawrence Ferlinghetti. Mostly it just looks jumbled, or unnecessarily spread out, staggered like the teeth of a zipper. The chopped up, incomplete sentences were coarse and seemed to impede meaning rather than free it. I didn't feel like I was discovering or feeling something; I felt like I was tripping over it.
For such a long volume, my notes with my favorite poems and lines don't even take up a whole index card, and I was definitely experiencing William Carlos Williams fatigue by the end. The book collects selected poems from 1914 to 1962, and I found Charles Tomlinson's introduction to be wordy and almost breathless in tone but informative about Williams and his poetry style, though more useful after I'd read the book than before.
My favorite discovery has to be the complete Pictures from Brueghel series. I'd read parts of it before, but didn't realize there was more to it. It's ten poems based on works by Brueghel the Elder, who I encounter quite often in poetry. There's something about his paintings that draws poets to him. It's probably the level of detail, all the little stories going on in these huge lush landscapes full of color and people and animals. The poems I've read have all evoked such clear images, even if I'm unfamiliar with the paintings themselves, and Williams's work is no exception. Though, as always, in order to enjoy Williams's "Landscape with the Fall of Icarus" to its fullest, you benefit by knowing the joke behind Brueghel's "Landscape with the Fall of Icarus" and the tiny splash Icarus makes down in the corner of the painting where no one is even looking. Just his leg sticking out of the water. Williams captures the humor and sadness of that image, still giving it only slightly more attention than Brueghel did.
It seems I like Williams best when he's being simple and transparent. His complicated, fractured works don't appeal to me as much, and it feels like this collection is more geared toward the latter. But could be it only felt like it.
Contains: rape, classism, and racist language and attitudes.
Fandom: Guardians of the Galaxy
Characters/Pairing/Other Subject: Nebula & Kraglin Obfonteri
Content Notes/Warnings: none
Artist on DW/LJ: n/a
Artist Website/Gallery: CaptBexx on Deviantart | CaptBexx on Tumblr
Why this piece is awesome: This is an energetic piece that focuses on a minor character interaction in the movie and takes it to a playful conclusion. The simple but expressive sketchy/cartoony style works beautifully for the light subject matter.
Link: Kraglin & Nebula XD
Star Trek TNG: "The Price" is such a god-awful episode that when it leaves those two Ferengi in their shuttlecraft stranded in the Delta Quadrant and doesn't bother to tell us what became of them, that's not even the worst of its crimes. (The worst of its crimes is probably what Crusher and Troi wear to do aerobics.) Anyhow, yes, the Ferengi were acting like jerks, but they didn't deserve to die the kind of death that you'd die stranded in a shuttlecraft 30,000 light-years from home. I think either they should reappear as part of the Borg collective, or the Voyager crew should find them.
Due South: More Ray&Ray. Doesn't everyone want more Ray&Ray? Make RayK go to meet a new informant and discover that it's the Bookman.
The Princess Bride 2: the story of how Buttercup wound up being the Dread Pirate Roberts.
Characters/Pairing/Other Subject: Diana Prince + friends
Content Notes/Warnings: fluff!
Medium: digital painting
Artist on DW/LJ: n/a
Artist Website/Gallery: critter-of-habit's art tag on tumblr
Why this piece is awesome: I'll give you a heroic WW pic next (in fact there's one in this artist's art tumblr if you scroll down a few), but this one's pure fluff, in every respect. After the baby and the ice cream, I think we all know this is exactly what would happen. My title, as tumblr posts are often untitled, the site not having made that a natural part of posting.
Link: Diana yes!
- Traditionally, about a third of it was worthless due to sentimentality.
- More recently, another third of it is worthless because capitalism endlessly churns it out in identical shiny plastic pieces.
- When it's bad, there's nothing worse.
- When it's good, it captures the human spirit so well that it brings tears to your eyes.